“West Side Story,” the first offering from new theater company LuciĆ©rnaga Producciones, is in full swing āĀ or full mambo, as it were ā at the Melico Salazar Theater in downtown San JosĆ©.
The production has some weak spots: the orchestra isn’t quite up to the challenge of Leonard Bernstein’s epic score, and while the lead vocals are strong, some of the smaller roles fall far short in terms of singing ability (fortunately, the boisterous, scrappy nature of the gangs’ musical numbers help camouflage this).
However, Broadway’s first major foray into Costa RicaĀ is well worth a visit.Ā Here’s why:
1. The dancing. Oh, the dancing.Ā
The iconic dancehall scene, “America,” and pretty much any moment where the cast members really let loose are well worth the ticket price.
2. The dresses. Oh, the dresses.
Self-explanatory.
3. Anita.
This is traditionally a show-stealing role (hello, Rita Moreno), and Isabel GuzmƔn PayƩs meets the challenge head-on. Absolutely first-rate.
4. Spanish-speaking Spanish speakers.Ā
For someone who grew up memorizingĀ the original English version with Stephen Sondheim’s brilliant lyrics, it’s definitely strange to see “West Side Story” in Spanish. Songs such as “One Hand” just can’t be translated without altering the clean rhythms of the original. However, the translation does work quite well overall.
What’s more, there’s somethingĀ very right about telling this particular story in Spanish. A musical largely about Puerto Rican immigrants to New York, whose 1961 film version is infamous as an example of Hollywood racism āĀ MarĆa was played by notably non-Latina actress Natalie Wood āĀ is meant to be translated, in many ways. An added perk? No “West Side Story” nerds singing along in the audience (ahem).
5. It’s charmingly datedĀ ā and sadly timeless.
The production does a fantastic job channeling the fashion and feel of an earlier time, but it’s impossible to see “West Side Story” today without thinking about how much hasn’t changed. The shoddy treatment of immigrants and the tension between young people and police officers are two aspects of the plotĀ that are ripped right from today’s U.S. headlines. “Gee, Officer Krupke,” the song in which the Jets lampoon the justice system, is a comic piece, but a sad one, too.
Fortunately, if you get too glum, someone will start snapping and doing backflips. And did I mention the dancing and the dresses? Check it out.Ā (Just don’t sit at the front edges of the upper levels. While anyone buying a balcony seat expects to crane a little, entire sections of the action are totally invisible from those seats, which really should have been blocked off or sold at a steep discount. It’s sort of cool to find yourself mere feet above Tony and MarĆa’s balcony scene āĀ but we would rather have seen their faces.)
āWest Side Storyā continues throughĀ May 13 at the Melico Salazar Popular Theater, downtown San JosĆ©. Remaining shows includeĀ Fri., 8 p.m.; Sat., 2 p.m. & 8 p.m.; Sun., 5 p.m.;Ā Tue & Wed., 7:30 p.m.Ā ā”13,000-ā”37,000 ($26-$74). Info: Event Facebook page.
