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COSTA RICA'S LEADING ENGLISH LANGUAGE NEWSPAPER

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weekend arts spotlight

5 questions for Costa Rican blues musician Jose Ramírez

Jose Ramírez built a name for himself in Costa Rica's blues scene; now he has traveled to the United States to take his career to the next level.

5 questions for Costa Rican pole trainer Elena Hütt

"Suddenly you can do a pose you couldn’t before, and you find yourself doing a split in the air, and you think, 'Oh my God, this is me!' and you cry with happiness." Pole trainer Elena Hütt in our Weekend Arts Spotlight.

5 questions for Costa Rican tribal dancer Vanessa Messeguer

Costa Rican tribal dancer Vanessa Messeguer talks about the genres she performs and their role in women's empowerment.

5 questions for composer Pieter Schlosser – ‘The idea is to extract the emotion’

Pieter Schlosser, who lived in Costa Rica as a teenager, chats with The Tico Times about his work as a composer for film, TV and video games.

5 questions for Colombian storyteller Mauricio Grande – ‘We Latin Americans are made of words’

"Colombia is a very 'oral' country, and Latin America is a very 'oral' region. We Colombians ascribe great importance to the oral tradition. From that point of view, I'd say I have it in my DNA, as many Latin Americans do." -Mauricio Grande in our "Weekend Arts Spotlight"

5 questions for Costa Rican painter Milo Gonzales

"I feel someone else is the mechanic and I’m just a tool." Painter Milo Gonzales discusses his career and his upcoming exhibit in Liberia, Guanacaste, in this edition of our Weekend Arts Spotlight.

5 questions for Costa Rican actress Marian Li

The Tico Times talks to Costa Rican actress, singer, and dancer Marian Li.

5 questions for Costa Rican writer Diego Delfino – ‘I got into what I’m passionate about’

The journalist and writer Diego Delfino chats with The Tico Times about his favorite projects in our "Weekend Arts Spotlight."

5 questions for a Costa Rican street artist

"It was super bad, because an acoustic guitar doesn't demand attention. Instead, if people gave me money, I felt it was for pity. They were like "Poor guy, he may need it" [...] but as a musician, one likes to go and share one's music."

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