While the film was released in 2009, Maryam Henein recently spent about a month in Costa Rica, where she screened the film in unusual venues, including this year’s Envision Festival in Uvita.
An experimental feature like “Carmina Fide” is emblematic of Costa Rica’s expanding film scene, and this week is a great time to catch some Tico flicks: Veritas University is screening “Panorama,” a film festival showcasing recent Costa Rican cinema.
The Festival began in 2012 as a project of the Costa Rican Center for Cinematographic Production, inspired by various film festivals taking place in both Latin America and Europe. Its mission: to bring audiovisual art forms to parts of Costa Rica beyond the Central Valley.
While the two screenings have no relationship to each other, they share a lot of common themes: simple lifestyles, healthy coexistence, and the contrary pressures of industrial culture.
If you have no idea who Maikol Yordan is, you’ve never heard of “La Media Docena,” and the poster has bewildered you since the film premiered last December, you probably have a few questions – and there is no better time to ask, because this week “Maikol Yordan” just became the most-attended film in Costa Rican history.
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