A typical response to such works is “my kid could do that,” and some visitors to the gallery may feel underwhelmed by his portraits. But sketches are sometimes the most provocative part of an artist’s oeuvre.
On the surface, the private party was to celebrate “Mayo en Verde,” the latest art exhibit in the José Luis López Escarré Gallery. But the National Theater has much more to celebrate.
This exhibit stirs the imagination, and both artists and art appreciators should benefit. “Heritage” is a remarkable crash course in artistic traditions, and a smart summary of contemporary art’s possibilities. “Heritage” isn’t careful or polite, as one would expect of the National Gallery; rather, it’s edgy and aggressive.
“People on the margins of society have always interested me,” says photographer Isabelle Courteix. “The idea to possibly work with transgendered people enchanted me.”
For folks familiar with “Mafalda,” the exhibit will feel nostalgic and fun. “Peanuts” fans will think fondly of Charlie Brown and note the many similarities.
